![]() They examine the structure, visuals, graphics, music edits and sound design. The tutorial does an excellent job of dissecting (from the editor’s original Avid timeline it seems) what’s involved in not only selling a film’s story, characters and jokes but wrapping it all up in an entertaining and stylised 2.30 minute package. I particularly enjoyed the third and final training video which delivers a detailed breakdown of the first trailer for the action comedy Baywatch. ![]() Trailer Editing Behind the Scenes: Deconstructing the Cut.Trailer Sound Design and Music Techniques.Trailer Editing 101: The Secrets of the Craft.There are three free lessons totalling about 45 minutes of free training, which cover: I signed up for it in researching this post, and although I’ve cut a few trailers and sizzle reels in my time, there was still plenty to learn even from this mini-course, including some great insights on structure, music editing and especially sound design, which is so crucial to the impact of a successful trailer. Just drop in your email address here to get access to the free training to see what I’m talking about! If you’re after some great free training on how to edit a film trailer then you’re in luck because Film Editing Pro has recently released their second film editing training course The Art of Trailer Editing.Īs part of which they’ve made available a free 3 part training course that gives you an excellent taste of what they have to offer. The section on Film Editing Pro’s free training course ended up getting pretty long, but it’s the best resource on the page, so well worth the read! Free trailer sound effects and graphics downloads.Tools for creating trailers and sizzle reels.Film Editing Pro’s free 3 part training course.In this post I’ve brought together a host of great resources to help you learn to edit film trailers that have both style and substance including: And although we might like to think that style is the lesser brother to substance, it’s actually pretty difficult to do really well. That’s why you can have pretty good trailers for terrible movies. But with the trailer it’s all about style. The trailer is a rather paradoxical creative asset in that, most of the time, substance trumps style in film editing. ![]() Otherwise your trailers will be rambling, flabby and dull. Learning how to edit a film trailer requires a very specialised set of skills, and once you’ve acquired those skills you need to practice them over and over until you’ve mastered them.
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